Jacqueline Fernandez wore Cheney Chan’s Private No.110 from the designer’s F/W 25/26 Seven Breaths collection, a butter-yellow couture gown shaped through layers of gauze built using the house’s “body trimming” technique. Originally developed to recreate the surface of porcelain, the method stacks and sculpts multiple sheets of fabric so the garment holds structure while retaining a fragile, almost ceramic finish.
The technique becomes most visible through the skirt. Horizontal tiers move down the length of the dress, each edged differently: soft lace trims, gauze folds, bands of beadwork and sections of fringe that hang in narrow strands. The layers create a shifting surface where matte fabric, embroidery and movement sit side by side, giving the lower half of the gown its distinctive texture.
Instagram content
Above it, the bodice is tightly pleated and draped diagonally across the torso, the fabric lifting into a sweeping off-shoulder fold that arcs across the neckline. Long sheer gloves dotted with crystals extend the palette of the dress, while jewellery from Mahesh Notandas includes a floral diamond necklace and matching studs.
Instagram content
Disclaimer : This story is auto aggregated by a computer programme and has not been created or edited by DOWNTHENEWS. Publisher: vogue.in
