The pout, the pirouette, the pose she perfected it all. No one did it as well as her, Mumtaz. Acting in two-bit roles, she was often seen in smaller roles like Mere Sanam and also other films where she played a junior artiste to the likes of Sharmila Tagore.
From Rajesh Khanna to Jeetendra, everyone was queuing to work with her. She was a promise that would be kept. But by 1973, in barely a span of 4 or 5 five years at the top, Mumtaz quit. At age 26. The year she married and left, she had massive hits like Roti, Aap Ki Kasam, Prem Kahani and Nagin. Her phones in her London and Mombasa houses never stopped ringing. She said no to many films, including Safar (1970), Seeta Aur Geeta (1972) and many more.

I’m told everyone from Rekha to Reena Roy and Neetu Singh would be given her video cassettes and encouraged by their then directors to act and dance like her. She was saucy, she was a siren and boy! She delivered even with her filmi acting chops.

Queen bee burned up on the screen in a bikini in Apradh (1972), she shimmied in Apna Desh (1972), she wowed in Khilona (1970) and Dushman (1971). I’ve lost count of the hits she acted in.

What a massive star. She made her co-stars look good; she made her music directors look good. Hell, she made the screen look good. Happy Birthday Mumtaz. Thank you for being you. Bindiya chamkegi every single time.
Also Read: Editor’s Take: Remembering Uttam Kumar, The Mahanayak Who Defined an Era
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