‘We all get our things’: Nick Offerman knows his strengths — and how to use them

Nick Offerman is more than just his facial hair. For one thing, the actor made viewers weep with his Emmy-winning turn as Bill, a man who found unexpected love in “The Last of Us.”

Then again, Bill did have a great beard.

Fans who celebrated Ron Swanson and his mustache on “Parks and Recreation” have had much to enjoy with the two roles that earned Offerman Emmy nominations this year. As Chester A. Arthur, corrupt politician-turned-surprise president in Netflix’s limited series “Death by Lightning,” and retired professional wrestler and recovering addict Jinx in the Apple TV series “Margo’s Got Money Troubles,” he had two powerful redemption arcs to navigate. As well as some mighty coifs.

“I pride myself on that,” he deadpans. “It’s not something you can learn. I literally come by it honestly because it’s what Mother Nature provided me. Benedict Cumberbatch got the cheekbones and the nimble, articulate language tools. I got whiskers, and shoveling, and slow talking. We all get our things.”

Speaking by video chat from the Goodman Theatre in Chicago, where he’s playing Eugene O’Neill opposite wife Megan Mullally’s Broadway diva in “Iceboy! The Musical,” Offerman is humble and erudite, poking fun at himself while praising colleagues. He is “sincerely gobsmacked” by the double nod. He is also fresh-faced, because he’s filming the Alex Garland film “Elden Ring” in London during his downtime. “Here is this meager little mustache that someone made me, and I glue it on every night,” he says, holding up two tiny hairy wings.

In contrast, Arthur’s mutton chops just won’t stop. “If a president is not thin and has facial hair, then it’s been suggested that I should play him,” Offerman says. “People send me all of them, you name it: McKinley, Harrison, Teddy Roosevelt.”

Of course, the actor goes beyond whiskers to create his roles. To play Arthur, he read “Destiny of the Republic” by historian Candice Millard, which the show is based on. He also read Scott Greenberger’s biography “The Unexpected President.”

But ultimately he found his character on the pages of creator Mike Makowsky’s scripts. “The incredible advantage of great writing is that they’ve answered a lot of the questions for you,” Offerman says, adding, “Makowsky told me that he had me in mind when he was writing it. Once you learn about Chester, you’re like, ‘That’s a mixed compliment.’”

Nick Offerman.

(Billy Delfs / For The Times)

He says working on “Death” was “exquisite,” likening the shoot to a camp for theater kids, delighting in the depth of talent in the cast, and recalling when he and star Michael Shannon, at the time performing plays together in Chicago, used to get up to youthful drunken shenanigans, “like climbing a building outside the L&L Tavern.”

Jinx would probably have enjoyed that in his early years. When we see him on “Margo,” he’s been brought low by pain, prescription drugs and a lost love (Michelle Pfeiffer), trying to make amends with his daughter Margo (Elle Fanning), who’s struggling with single parenthood.

“Jinx desperately wants to be a good guy, he wants to be a good dad, he wants to be a good lover,” says Offerman. “He wants to be the hero of any circumstance, but unfortunately he has these frailties that I know too well.”

Offerman trained for three months with bodybuilder Grant Roberts “to create the body of, thankfully, a former pro wrestler, so you don’t necessarily need terrific abs,” Offerman says. Then for three weeks during the shoot he worked with pro wrestler Chavo Guerrero Jr. “I’m a former fight choreographer for the stage, and I do my own stunts, so I’ve been waiting this whole time to play a swashbuckler. By the time we were done, I was flying off the top rope.”

The physical preparation helped him find his way into the role. “What I learned about pro wrestlers, who are incredibly generous and loving people, is that they are all hurt, all the time. They’re all performing through pain,” he notes. “So how can I summon everything I have to blow away this audience with superheroic energy, even though I’m just this dumb theater-school kid?”

Offerman with “Margo’s Got Money Troubles” co-stars Elle Fanning, center, and Michelle Pfeiffer.

(Apple TV)

Jinx’s look is also key to the portrayal. For present-day scenes, Offerman sports his own beard, with some color added. But for flashbacks, “they made my spray tan extra dark, gave me this gorgeous mane of hair and put some braids in my beard. I was just over the moon. People complain about three hours in the makeup chair. I don’t complain because someone is putting their masterpiece on my head. I have the tractor and the hay rack that they’re building their float on that’s going to win the Rose Bowl Parade. It’s such a privilege to get to drive their masterpiece around.”

He soon faced Fanning. “She’s such a badass professional. It was so fun because she inspires me to also be more flexible and creative.” He calls Pfeiffer “a cinematic Mt. Rushmore. That was very thrilling because I traditionally have not been cast as people who have heat with glamorous movie stars.” He giggles.

“I understand that I have value as a performer, but I still don’t get how I got this part,” he says, sounding a bit baffled. “This is the best part of my life. I’ve had some wonderful parts that I’m very grateful for, but I’ve never had scenes with such complicated emotional relationships.”

He adds a point that could apply to Chester Arthur as well. “It’s fun to be a protagonist who gets to indulge in human weakness, knowing that we hopefully will bring the audience back around to caring about you.”

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