The biggest tech battles many people face are things like frequent two-factor authentication, a time suck that makes you want to hurl a device across the room, and sigh-inducing texts to parents letting them know that the video of a cat cooking eggs they 100% believe is real is actually AI slop.
But in “Cupertino,” the legal minds at the center of the show are taking on more consequential tech disputes in the courtroom.
The series joins a wave of recent films and TV shows exploring and confronting the rapidly evolving tech sector. Created by Robert and Michelle King, veterans of the legal drama genre with shows like “The Good Wife” and its spinoff “The Good Fight,” the Silicon Valley-set courtroom drama is interested in David vs. Goliath tension. It follows Michael Price (Mike Colter), an attorney fired by his tech startup employer S-Talk, as he teams up with fellow ousted lawyer Olivia Siffre (Rachel Keller) to launch their own ad-hoc law firm to take on cases — including their own — for everyday people against tech giants.
“There are big companies that have a lot of money, deep pockets — they could suffocate you, they can bog you down in litigation to the point where you can’t financially match them,” Colter said. “They’re planning on people just rolling over because they don’t want to deal with it. That’s where Michael and Olivia come in. We get the justice for people who otherwise won’t see any. I’m just excited and intrigued by the stories they [the Kings] want to tell here.”
The Kings’ exploration of tech’s litigation underbelly arrives at at a critical moment. High-stakes conflicts over artificial intelligence, data privacy, workplace culture, antitrust laws and other issues are dominating the news and defining our modern era. “The headlines, the way that it lines up is crazy,” Keller said. “It’s really important some of the cases they’re bringing to the show — real things that are happening to real people.”
But the show’s origins are grounded in personal history — Robert grew up in San José; his father worked on mainframes for IBM and the now-defunct Control Data Corp. before personal computers took over — and a desire to bring a fresh backdrop to the Kings’ signature legal drama style.
“When you go back and visit family, you started to see how Silicon Valley — we just call it the Bay Area — was changing,” Robert said. “Not only in the make of cars that everyone was buying, but in these massive offices that were taking over suburban streets; homes were just being plowed under and house values were going up. There was good and bad. It started with that — how much it was changing the world.”
They were also inspired to explore a new legal angle: “It felt like other shows weren’t really looking at the way tech was impacting the law,” he said.
“We were less interested in looking at the tech titans than the Davids of this world — the people that were fighting them,” Michelle added. But she stresses the show is not anti-tech or meant to be a soapbox, even while showing the power everyday people can and do wield: “It wasn’t created to be vegetables. It’s created to be crème brûlée — it’s meant to be funny, or tasty. If it isn’t delicious to people, I really feel as though we’ve wasted our time.”
Fans of “The Good Wife” or “The Good Fight” are familiar with how the Kings turned emerging tech issues — particularly ones involving Google, Amazon or Facebook — into narrative catalysts for cases. It was often through the lens of a fictional tech giant known as ChumHum, a Google-like search engine created by a guy named Neil Gross (John Benjamin Hickey), that got embroiled in a variety of cases, including ones about secrecy and search result modifications. “Cupertino” blends real and fictitious companies.
The second episode of the CBS drama aired Thursday. We spoke with the Kings to unpack some of the cases they chose to kick off the season.
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