Jack DeJohnette, the prolific and versatile jazz drummer who played with Sonny Rollins, Herbie Hancock, Pat Metheny, Charles Lloyd, Bill Evans, Freddie Hubbard and Miles Davis — including on Davis’ groundbreaking 1970 album “Bitches Brew,” which helped kick off the jazz fusion era — died Sunday. He was 83.
His death was announced in a post on Instagram, which said he died at a hospital in Kingston, N.Y., near his home in Woodstock. DeJohnette’s wife, Lydia, told NPR the cause was congestive heart failure.
As a member of Davis’ band in the late ’60s and early ’70s — a group that also counted Chick Corea, Wayne Shorter, Keith Jarrett and Billy Cobham among its members — DeJohnette pumped out psychedelic rock and funk rhythms that put Davis’ music in conversation with that of artists like James Brown and Sly Stone. In addition to “Bitches Brew,” which was inducted this year into the Library of Congress’ National Recording Registry, DeJohnette played on Davis’ “At Fillmore,” “Live-Evil” and “On the Corner” albums, the last of which was panned by critics when it came out but now is regarded as a jazz-funk landmark.
DeJohnette won two Grammy Awards on six nominations; in 2012, he was named a Jazz Master by the National Endowment of the Arts.
Living Colour’s Vernon Reid, who played on DeJohnette’s 1992 album “Music for the Fifth World,” called DeJohnette “the GOAT” on social media on Monday and wrote that his “influence & importance to Jazz, and contemporary improvised music can not be overstated.”
DeJohnette was born Aug. 9, 1942, in Chicago. Encouraged by an uncle who worked as a jazz radio DJ, he learned to play piano as a child and went on to play with Sun Ra as he circulated among the forward-looking artists of Chicago’s Assn. for the Advancement of Creative Musicians. He moved to New York in the mid-’60s and joined Charles Lloyd’s quartet before collaborating with Evans and then with Davis.
“We couldn’t wait to play,” he said of his tenure in Davis’ band in a 1990 interview with The Times. “Miles developed our talents by allowing us to progress naturally, having us play his music and accept the responsibility that goes with discipline and freedom. He learned from us, and we learned from him.”
After leaving Davis’ band, DeJohnette continued collaborating with Jarrett, the influential pianist; the two formed a long-running group known as the Standards Trio with the bassist Gary Peacock that focused on material from the Great American Songbook. The drummer also led the bands New Directions and Special Edition and formed groups with Ravi Coltrane and with John Scofield.
In 2016, he released “Return,” a solo-piano album that served as a sequel of sorts to 1985’s “The Jack DeJohnette Piano Album.” According to the New York Times, DeJohnette’s survivors include his wife, who also managed his career, and their two daughters.
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