In Jitesh Pillaai’s words:
Most actors are addicted to drama. Some of them put up a performance for you even when the camera isn’t on. Ranbir Kapoor is an exception. He’s quirky, he’s funny and it’s always a joy to meet up with him. Just that most of our conversations are unprintable. But I love processing the clues he gives me into the trade. He’s what you call an old soul. Beneath all that bluster, all he cares about is the movies.
I’ve known him for two decades now. The first meeting was at Sanjay Leela Bhansali’s home, where he spoke head down when he was asked a question just before his debut in Saawariya (2007). Today, when he sees me, he pelts me with questions. Where do your parents stay? Who are you seeing?

He doesn’t answer calls or reply to messages. He’s very contradictory in his behaviour. But he doesn’t play games. I’ve seen few actors like that. For someone fully entrenched in the business, he’s also very detached. I’ve heard enough gossip about him to fill years of purple prose. But he’s a cool guy at the end of the day. And his screen magic is dynamite.

Arguably the best talent we have seen in years. Despite a bizarre launch like Saawariya, RK showed us the entire acting spice rack. You had to engage with him.

He’s addicted to drama both on screen and off it. And yet there is a remarkable sense of detachment from the business, from people. He can invest in you when you’re with him. And then never call you ever for the rest of your life. It’s this delicious irony that informs his acting too.

He’s a miracle worker on screen. Everything just lights up. He can make you believe that a man can sing, romance, dance and cry all the time. He can be the darkness and then, in a flash, show you the light.

Ranbir Kapoor is the best thing to have happened to the movies in the last decade. His kind of delicious irony should be archived.
On his birthday, I wish India’s finest actor peace, sanity and movie magic.
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