Diljit Dosanjh Declares No More Concerts in India Until Infrastructure Improves

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Diljit Dosanjh : File Photo
During his concert in Chandigarh on December 14, 2024, Punjabi singer Diljit Dosanjh stirred significant attention with his announcement that he would not perform in India until there are substantial improvements in the country’s concert infrastructure. This statement was made during his ongoing Dil-Luminati Tour, which has seen tremendous success across various cities.

Key Highlights from Diljit’s Announcement:

  • Concerns Over Infrastructure: Diljit voiced his frustrations about the inadequate facilities for live performances in India, stressing that the entertainment sector is a crucial source of revenue and employment. He remarked, “We don’t have the proper infrastructure for live shows here,” emphasizing the need for improvements to support artists and the industry as a whole.
  • Innovative Performance Format: He proposed a new concert format where stages would be centrally located, allowing audiences to surround the performance area. This approach aims to create a more immersive experience for concert-goers, enhancing their engagement with the performance.
  • Ticket Resale Clarification: Addressing concerns regarding ticket scalping and inflated prices, Diljit clarified that he has no control over ticket resales. He expressed disappointment at being blamed for these issues, highlighting the complexities surrounding ticket sales in the current market.
  • Clarification on Future Performances: Following his announcement, Diljit took to social media to clarify that his comments were specific to the venue in Chandigarh and not a blanket statement against performing in India overall. He stated that he would refrain from planning future shows in Chandigarh until suitable venues are available.

Despite these challenges, Diljit is set to perform next in Mumbai on December 19 and will conclude his tour with a show in Guwahati on December 29, 2024. His remarks reflect a broader concern among artists regarding the state of live event management in India, underscoring the urgent need for systemic changes to enhance the concert experience for both performers and fans.

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