Known for her timeless voice and unforgettable melodies, she lent her vocals to iconic songs such as Aaj Kal Tere Mere Pyar Ke Charche, Na Na Karte Pyar Tumhi Se Kar Baithe and many more. With her passing, an era of golden Hindi film music comes to a close. Filmfare’s Editor-In-Chief Jitesh Pillaai writes about the noted singer.
It’s like two sides of the same coin. Talent is a boon, it’s also a curse. Ask a sibling who has got his or her due. Ask a singer whose likeness to a reigning singer made her pale into obscurity. Suman Kalyanpur became an angel today. But her angelic voice remains.
The music room stories are apocryphal and don’t bear repetition. Suman came into her own with her Marathi Bhavgeet and also songs like Na Na Karte Pyar, Aaj Kal Tere Mere Pyar Ke Charche, and the Rahe Na Rahe Hum duet. The solo Rahe Na Rahe Hum was sung by Lataji. Kalyanpur sang one of her first Marathi songs for Yashwant Dev at the age of sixteen.
Kalyanpur’s lack of airs and unnecessarily dramatics in her voice made her a popular singer, and it is said that a renowned music director like Jaikishan promised her a solo song in every film and even kept his word.

Sumanji, as luck would have it, reaped heavily when Rafi and Lataji were estranged for three years over a royalty issue, just as Ashaji had when Dada Burman was estranged from Lataji for 3 years.

Never one to complain or call out people, Kalyanpur did talk about the mysterious disappearance of her songs from the film or the records, or her name left out in compilations that featured even lesser-known singers.
Kalyanpur, in all her Filmfare interviews, dismissed any hostility with Lata Mangeshkar and even mentioned they had recorded a duet together, Kabhi Aaj Kabhi Kal, for the film Shart.

My personal favourite duet of Kalyanpur is Tum Jo Pyar Se from the eminently forgettable B-grade film Sakhi Robin.
With Suman Kalyanpur’s passing away this month and Ashaji’s two months ago, perhaps our last links with the halcyon days of pristine singing and glorious compositions are finally over.

Indeed, Mamta’s duet Rahen Na Rahen Hum could be not just her theme song, but the story of Hindi cinema’s valiant struggle to keep the memories of music alive. I hope the angels will sing to her tonight and she will trill back a dulcet melody. The heavens will never be wanting in rhythm anymore. Rest in peace, Sumanji.
Also Read: Veteran Singer Suman Kalyanpur Passes Away at 89
Disclaimer : This story is auto aggregated by a computer programme and has not been created or edited by DOWNTHENEWS. Publisher: filmfare.com










