Japan Reinvents the Summer Festival

0
2

TOKYO
Summer festivals are in full swing across Japan, with distinctive local dances ranging from long-established traditions to unusual routines born at fishermen’s banquets and even performances set to the music of American rock band Bon Jovi.

Shikoku is known as one of Japan’s strongest regions for local festival dancing, with Kochi’s Yosakoi Naruko Dance and Tokushima’s Awa Odori among the best known. In Matsuyama, Ehime Prefecture, the Matsuyama Yakyuken Dance has become a local fixture.

Matsuyama originally introduced the Iyo no Matsuyama Tsuzumi Odori in 1966, but the dance struggled to gain widespread acceptance among residents.

In 1970, organizers adopted Yakyuken, a form of local entertainment associated with Matsuyama, as the basis for a new regional dance. The move coincided with a nationwide boom in Yakyuken at the time, helping the dance take root in the city.

Hakodate in Hokkaido has developed another distinctive tradition, the Ika Odori, or Squid Dance, which is said to be simple enough for almost anyone in the city to perform.

The dance was created in 1980 by a group of local volunteers. At the time, Bon dances consisting mainly of traditional hand movements were common, but local fishermen wanted to create something different.

The idea emerged during a fishermen’s banquet, where participants devised both the choreography and the accompanying chants. The dance was linked to squid, one of Hakodate’s best-known local products, and has remained popular for 46 years.

At the Hakodate Port Festival held in August, the Squid Dance was performed over two days and drew about 20,000 visitors.

Participants parade for more than 1 kilometer through Hakodate while performing the dance. One of its defining features is its simplicity, with the routine said to be learnable in about one minute.

Local dances can also serve as a way to revive festivals facing declining participation.

Tomohiko Sato, a Bon dance ambassador who participates in more than 100 local dances a year, said their appeal comes partly from the sense of local pride created by showcasing regional specialties, as well as the unity and achievement people feel when performing the same movements together without overthinking them.

Some festivals, however, are struggling with aging populations and other demographic pressures.

In Otaru, Hokkaido, the Zenibako Children’s Bon Dance Festival had faced concerns over whether it could continue.

Organizers found a possible lifeline in Bon Jovi, a playful fusion of Bon dancing and music by the American rock band Bon Jovi that first attracted widespread attention in Tokyo’s Nakano district.

After the Otaru festival introduced Bon Jovi, the number of people attending specifically to take part in the unusual dance reportedly increased.

The experience suggests that maintaining tradition while incorporating new ideas may be one way for local festivals to survive.

Simple dances that make it easy for newcomers to join can also attract children, while social media can quickly turn an unusual festival performance into a broader phenomenon.

Even as artificial intelligence becomes increasingly prominent, shared physical experiences involving the senses remain important, and Bon dancing is one example of an activity that allows people to experience something together.

日本の夏祭りが進化 ご当地踊りに新たな風

全国各地で夏祭りが盛り上がる中、昔ながらの伝統的な踊りから、漁師の宴会で生まれたユニークな踊り、さらにはアメリカのロックバンド「ボン・ジョヴィ」の楽曲を取り入れた盆踊りまで、地域ならではの多彩な踊りが注目を集めている。

日本夏日祭典推陳出新 地方舞蹈展現新風貌

日本各地夏日祭典正熱鬧登場,除了傳統舞蹈之外,還有誕生於漁民宴會的獨特舞蹈,甚至出現配合美國搖滾樂團邦喬飛歌曲演出的盆舞,各地充滿地方特色的舞蹈正受到關注。

Source: TBS

Disclaimer : This story is auto aggregated by a computer programme and has not been created or edited by DOWNTHENEWS. Publisher: newsonjapan.com