Las Culturistas Culture Awards: 6 best moments from the show

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Best new artist. Best vibes, hands down. Eva Longoria Award for Tiny Human, Huge Impact.

These were just a few of the categories presented at the 2026 Las Culturistas Culture Awards, which aired on Bravo and streamed Wednesday on Peacock and were held at the United Theater in L.A. last month. The show, co-hosted by Bowen Yang and Matt Rogers of the “Las Culturistas” podcast, honored some of the best moments in pop culture — and created some of its own, including a gay-tastic opening musical number performed by Yang and Rogers that paid homage to “Heated Rivalry” and a sexed-up Shrek — yes, your favorite green ogre — courtesy of “Hacks” co-creator and star Paul W. Downs.

Needless to say, it’s not your typical awards show. And winning isn’t the point, as Yang and Rogers told The Times earlier this month. “Presenting is just as good as winning, just as good as performing. But I think it’s weird that we have been so late to stumble on what the show really is, which is it’s a variety show,” Rogers said.

For anyone happy to take themselves a little less seriously, have some fun and potentially get a Cultch, as the golden statue is called (what is it exactly, we’re not really sure — RuPaul said he’d use it as a door stop), this awards show is for you. Here are some of our favorite moments from the show, which might be the best awards show on TV.

Music and dance performances by the co-hosts, Rachel Zegler and … Pikachu?

Rachel Zegler performs Addison Rae’s “Fame Is a Gun.”

(Monty Brinton / Bravo)

The show began with a rousing number featuring Yang and Rogers that was themed to one of the biggest TV shows of the past year, “Heated Rivalry.” It led into a performance of t.A.T.u.’s “All the Things She Said,” a record of the year nominee and the song that became a hit (again) thanks to a sexy club scene in the hockey-themed gay romance series, and it included vocals from another pair of gay icons, Malin Akerman and Brittany Snow of “The Hunting Wives.”

And yes, Rogers and Yang did attempt to enlist “Heated Rivalry” stars Connor Storrie and Hudson Williams, but the duo were out of town attending the 2026 Canadian Screen Awards, where the show broke records for most wins in a single year. But Akerman and Snow brought as much power to the moment, Yang said.

“That somehow felt like just as if not more important, to have those things live side by side,” he told us after the show. “We did our best to crudely represent this moment of ‘Heated Rivalry’ within the song, within us being a white gay man and an Asian gay man. And then bring Malin and Brittany in, to have these two be like companion pieces in the culture in the past year.”

But that was just the beginning. The show also featured performances by “Hacks” star Megan Stalter, who performed her single “Prettiest Girl in America,” and Mandy Moore, who sang “Only Hope,” her cover of the Switchfoot song. However, there were two performances that stole the show: Rachel Zegler’s “Evita”-inspired rendition of Addison Rae’s “Fame Is a Gun” and Yang and Rogers’ performance of the Pokémon theme song. One was an awe-inspiring and vocally perfect rendition of a pop song, the other a millennial dreamscape of Pokémon ephemera featuring the star of the animated show, Pikachu, dancing alongside Yang and Rogers as they sang the number. (Pikachu’s pronouns are it/that, according to Yang and Rogers, in case you were wondering.)

Zegler’s performance, Rogers said, was not only an early idea for the show, but one that felt meaningful despite the camp. The actor played the titular character in the West End revival of “Evita” and will reprise the role on Broadway next year.

“The only idea I had right away last year was I knew I wanted Rachel — and I told you this [turns to Yang] — in the style of Evita singing something,” he said. “Then we were at Coachella watching Addison Rae and she was doing ‘Fame Is a Gun’ and we were like, ‘It has to be this.’ We pitched it to Rachel, and she goes, ‘You’re not gonna believe this, but ‘Fame Is a Gun’ was No. 1 on my playlist when I was studying to play Eva Peron.’”

It was kismet.

Miss Piggy, cat marionettes and a very ripped Shrek

A glammed up Miss Piggy stands at a podium in front of a hot pink backrop

Miss Piggy, honored for her excellence in divahood, was among the childhood characters that made an appearance at the show.

(Monty Brinton / Bravo)

Pikachu wasn’t the only childhood character to make an appearance at the Culture Awards. The “grand dame diva of culture, divahood and porcine glamour” Miss Piggy, was honored at the show, where she showed up, naturally, in a pink dress and feather boa.

“She’s one of the most beloved pop culture figures of all time,” Yang said about her surprise appearance.

“It’s indisputable,” Rogers added.

We also got a performance of the “Meow-ionettes,” the feline troupe from the Bob Baker Marionettes, an L.A. institution, who accompanied Broadway star Ben Platt as he sang “Smelly Cat,” the song made famous by Lisa Kudrow’s Phoebe Buffay on “Friends.” (It was a lead-in to her receiving the lifetime of culture award.)

While those characters mostly stayed in, well, character, one appeared in a completely new light: Shrek. So you might remember Shrek as a big, green ogre, and while this Shrek was green, he was also extremely ripped and libidinous. Downs appeared as Shrek onstage to accept the award for the Shrek Award for Top Thing We Want to Do to That Green Guy, a category with very explicit nominees. Hints of a Shrek surprise appeared early on, when Miss Culturista Patti Harrison revealed she was pregnant, showing her sonogram with a green, Shrek-like fetus. It ended in Harrison telling Downs’ Shrek that it was his baby and they walked off the stage as a family. That’s one way to get a happily ever after.

‘War is Bravo for men’

Two women in glam attire -- one holding a trophy up in the air -- face an audience on stage

Ziwe, left, looks on as Ciara Miller of “Summer House” accepts the trophy for the Rob Rausch Award for Excellence.

(Griffin Nagel / Bravo)

Who can actually enjoy escapist entertainment when every other day brings news alerts that trigger mental anguish? Bowen and Rogers acknowledged the dueling emotions at the start of the show by cheekily breaking down important current events for two camps: the people who don’t watch Bravo at all, and those who only watch Bravo. For the Bravo-agnostics, the hosts summarized the “Summer House” cheating scandal; meanwhile, Bravo obsessives were informed by Rogers: “Our country is at war.”

It prompted Yang to make the joke about one of the rules of culture: “War is Bravo for men.”

“Our show is trying to remind people that there’s a lot of fun and joy to be had,” Rogers told us. “We’re not dwelling, but also it would be unlike us and dishonest to ignore [what’s going on in the world]. It’s not a denial of the fact that we’re in this place, it’s an acknowledgment — but also an acknowledgment of everything else. It’s a night to say, we feel good.”

(Another rule of culture, in case you’re wondering? “Peacock is Netflix for the Olympics.”)

Imitation is flattery, honey!

A woman in blue track suit, a red wig and exaggerated makeup stands on a stage.

Nominees for outfit of the year at this year’s Las Culturistas Culture Awards were re-created and modeled on stage by Lisa Rinna, seen here in a look made famous by horror villain Aunt Gladys in “Weapons.”

(Monty Brinton / Bravo)

Lisa Rinna knows how to gag an audience with her fashions — whether she’s peddling cozy duster cardigans on QVC or dressing in outré sets by conceptual designers like Jean Paul Gaultier, Christian Cowan or Maximilian Raynor. And she brought that dedication to Las Culturistas Culture Awards for the second consecutive year. She had attendees roaring with stunning transformations as she modeled the nominees for outfit of the year, which included her take on the extremely terrifying look of Aunt Gladys of “Weapons” (complete with an offset-styled wig, large vintage sunglasses and smeared lipstick); Jacob Elordi leaving an airport while wearing headphones, sunglasses and a stone-faced expression; Carolyn Bessette’s “argument chic” attire — oversized sweaters, a ponytail wig and white sneakers — during the much-publicized spat with John F. Kennedy Jr. in Battery Park; Billie Eilish as a visibly overwhelmed “One Less Lonely Girl” at Coachella, donning a black and purple track suit ensemble; and Jeff Probst for the last 50 seasons of “Survivor,” which boiled down to a blue button-up shirt and khakis (he won).

“She is so down to clown,” Rogers told us after the show. “And I truly mean clown because what she’s doing is clowning.”

Yang added: “She’s such a seasoned actor, performer. She knows entertainment. And she looked as hot as Jacob Elordi.” Rogers confessed he missed Rinna’s heightened turn as Bessette because he and Yang were talking to Lisa Kudrow backstage. But they at least got to witness a pop culture collision take place.

“Lisa Kudrow clocked who was on stage and she goes, ‘Oh my god, it’s Lisa F—ing Rinna?’” Yang recalled. “I was like, ‘This is heaven.’”

Rogers added: “Lisa Rinna as Carolyn Bessette comes off the stage and Lisa Kudrow turns to her and says, ‘We’ve known each other since our kids were 2!’” Rogers recalled. “And Lisa Rinna was like, ‘Yes, we have!’ We were just watching this interaction between the Lisas.”

Nods to Pride: Gay icons and allies

Six people -- dressed in hockey gear or tuxedos -- perform on a stage.

“The Hunting Wives” stars Brittany Snow and Malin Akerman, center, join Bowen Yang and Matt Rogers during the “Heated Rivalry”-inspired opening number.

(Griffin Nagel / Bravo)

The Culture Awards are not just inclusive, they’re unapologetically gay, from the categories to the nominees to the presenters. June is Pride Month after all, and we’d be remiss if we didn’t mention the timeliness of this show — hosted by a pair of gay men — and the awards bestowed upon LGBTQ+ icons and allies over the course of the night.

Among the winners this year were Hannah Einbinder for the all good either way award for bisexuality in media, RuPaul for the artist of the millennium award and Will Ferrell, who was awarded the titan of culture award. Upon accepting his award, he unfurled a Pride flag and declared that “gay pride is the most important thing to me.” Is Ferrell gay? No, but allies are always welcome. After all, he is Yang’s and Rogers’ boss.

‘And the award for best sauce goes to …’

A man whose skin is painted green appears on a stage holding an award

“Hacks” co-creator and star Paul W. Downs appears on stage as a ripped Shrek during this year’s Las Culturistas Culture Awards.

(Monty Brinton / Bravo)

This year’s show was stuffed with a whopping 100 categories — and still, the ceremony managed to not be three hours-plus (take note, Oscars). It’s the only place where you can revel in the tight races of categories like most triggered, activated and dysregulated I was this year; best Disney hotel for intercourse, sex, or lovemaking; or best part of “WHERE IS MY HUSBAND!” song. About 30 previous categories returned, including the Allison Williams Cool Girl Award, which was given to “Summer House’s” Ciara Miller, who continues riding high following her messy and highly publicized breakup.

Maira’s favorite category: Record of the year would take the cake for me in terms of the showstopping performances, but in terms of category originality, I’ll have to go with the Fantasia Barrino Award for Vocal Oomph, which was presented by comedian Julio Torres, and went to the Bene Gesserit of “Dune.” I’m not even a “Dune” person, but I can appreciate the effort. Of the nominees, Charlotte screaming “NO!!!” at Mr. Big was my winner.

Yvonne’s favorite category: The Shrek Award for Top Thing We Want to Do to That Green Guy. Among the nominees is: “I get as close as possible to his lips without kissing him at a restaurant in public. Maximum romance, with everyone watching. He smells like onions.” The other contenders are NSFW, unfortunately, but that’s exactly what makes it so perfectly ridiculous. And to top it all off with Downs, and his insanely cut abs, slathered in green paint to accept the award as Shrek (while being revealed to be a baby daddy) elicited the sort of gasps last felt when “La La Land” was mistakenly awarded the best picture Oscar in 2017.

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