As the Navratri celebrations kick off across India, a captivating tradition in Ahmedabad’s historic Sadu Mata Ni Pol draws significant attention. On the eighth night of Navratri, men from the Barot community don sarees and perform Garba, a vibrant folk dance, as part of a 200-year-old ritual that honors an ancient curse.
This unique practice is not merely a dance; it embodies deep-rooted customs that reflect penance, devotion, and gender fluidity passed down through generations. The origins of this tradition trace back to a poignant story involving a woman named Saduben. Over two centuries ago, during the Mughal era, she sought refuge from a nobleman who intended to take her as a concubine. When the men of her community failed to protect her, resulting in the tragic death of her child, Saduben cursed them, declaring that their descendants would live as cowards and subsequently committed ‘sati.’
Every year on the night of Ashtami, Sadu Mata Ni Pol transforms into a lively site of devotion. Its narrow lanes echo with the beats of Sheri Garba as crowds gather to witness men twirling gracefully in colorful sarees. A temple dedicated to Sadu Mata was established to appease her spirit and lift the curse, reinforcing the significance of this ritual.
For the Barot community, this act of dressing as women is not about challenging gender norms; rather, it serves as a symbolic gesture of humility and respect. Many participants believe that by performing Garba in sarees, they atone for past sins and express gratitude for blessings received from Sadu Mata. Men who have made personal prayers—whether for success in business or family health—often join in this ritual to give thanks when their wishes are fulfilled.
The Barot community has historically played a vital role as genealogists and storytellers within Gujarat, preserving family histories and cultural narratives. Despite changes over time, their customs remain integral to Gujarat’s cultural landscape, especially during festive occasions like Navratri.
One participant reflected on his five-year journey of wearing a saree during this tradition to honor Sadu Mata for her kindness in granting his wishes for prosperity and family blessings. This practice connects him and others to their cultural roots while allowing them to express their gratitude.
In summary, the ritual of men performing Garba in sarees is more than an act of penance; it is a heartfelt homage to Sadu Mata, who has safeguarded families for generations. As Ahmedabad celebrates its rich heritage during Navratri, Sadu Mata Ni Pol stands as a testament to the enduring spirit and devotion of the Barot community.
